🔺 means links that show pictures of entire print exchanges
The Ambos Lados International Print Exchange is trying to take full advantage of the 21st century -- by using worldwide shipping like DHL, self-publishing a catalog, posting on
Instagram and maintaining this blog, and putting on a traveling exhibition -- by using all resources that were not really available 10 or 20 years ago.
DIALOGOS E INTERPRETACIONES
However, Ambos Lados is hardly the first international print exchange. Many of the participants in Ambos Lados submitted to the
Dialogos E Interpretaciones International Print Exchanges, between the US and Colombia.
Jules Floss (
who submitted to Ambos Lados) and Jorge Eliecer Rodríguez Osorio of Manizales, Colombia (
Universidad de Caldas) organized the"Dialogos E Interpretaciones" International Print Exchange for 4 years. Many of the printmakers in Ambos Lado, including Manuel Guerra, one of the organizers of Ambos Lados, participated in these print exchanges. The prints are posted online:
PRINT ZERO
INTERNATIONAL PRINT EXCHANGES
in Seattle
We then met
Brian Lane at the
SGCI print conference in Portland in 2016. Many of our printmakers then participated in his next print exchange -- 🔺
Print Zero International Print Exchange #9 -- and Brian Lane and other Seattle printmakers participated in both the 🔺
Horned Toad II, and now the Ambos Lados, print exchanges.
OAXACA
When down in Oaxaca a few years ago, Alan Altimirano of
La Chicharra Taller showed us the international portfolios that he organized --
Raices and
Raices II. As the portfolio
carpetas were for sale, perhaps this isn't a true print exchange.
Likewise, the
Oaxaca Collective carpetas of prints are neither international, nor a print exchange. Nevertheless, they are a nice collection of Mexican prints in the spirit of these exchanges, and inspired us to pursue the Ambos Lados International Print Exchange. Organized by Irving Herrera, the portfolios include a print by
Pavel Acevedo, who submitted a print for Ambos Lados.
IPE
International Print Exchange
Searching on Google for "international print exchanges," the
IPE from Green Door Printmaking Studio surfaces prominently. It is an annual non-juried print exchange that even
publishes a catalog.
Check out the prints of their 🔺
2018 International Print Exchange (
note that Carl Richardson, Carnegie Muir, Elaine Crowe, Jim Weaver and Diane Davis are in both this and the Ambos Lados collections).
OTHER PRINT EXCHANGES
Google searches lead to other print exchanges:
- Self-published book on exchange between the US and Mongolia "One Day: An International Print Exchange."
- Karen Cornelius has organized some international print exchanges from Canada, with Asian printmakers
- La Calaca Press International Print Exchange of 2011, 2012, 2013, 🔺2014, organized by Carlos Barberena in Chicago
- Lunch Money Print, exchange -- closed in Jan 2019
- The Printsaurus International Print Exchange Association of JAPAN
- 9INHANDPRESS -- 🔺2016, 🔺2017, 🔺2018. Submission for 2019 due March 15, 2009
- Emerald Print Exchange, international -- June 1, 2019 registration deadline
OUR PREVIOUS PRINT EXCHANGES
There have been 2 previous print exchanges organized by
Manuel Guerra -- 🔺
Horned Toad I (
2014) and 🔺
Horned Toad II (
2017) -- the later being more international, including many printmakers from Oaxaca.
The Dialogos E Interpretaciones international print exchanges (
mentioned at the beginning of this blog entry) inspired the Horned Toad print exchanges I and II. The Horned Toad Print Exchange inspired the 🔺
YayBig Print Exchange. Not quite the domino effect, the print exchange fever can be contagious, though it is a lot of work. And it is always welcome when someone steps in to organize the next exchange, continuing the momentum.
A catalog was published with the prints from both the first Horned Toad Print Exchange and the YayBig Print Exchange, as both these print exchanges often exhibited together.
The early print exchanges lead to a bigger print project -- the
Desert Triangle Print Carpeta. Hopefully these print exchange dialogs can lead to bigger things.
Conclusion:
We derive great satisfaction from organizing this print exchange, with 152 prints from both Mexico and the United States, with 6 other prints from the rest of the world. And we will be really proud to exhibit these prints in both countries. Print exhibitions are especially important, as they can easily bring in art from all over the world, and reveal the pulse of the planet -- or in our case, more the pulse between two countries.
However, it is difficult and expensive for an individual, or small group of individuals, to sponsor print exchanges on a regular basis. And easier approach would be to sponsor local print exchanges of 10, or even 5 printmakers. Then organize exhibitions with other local print exchanges. I can envision an more manageable reciprocal exchange scenario between El Paso and Austin, for instance. Printmakers from each city can organize in a local studio, a local print exchange with their fellow printmakers -- and then have pop-up print shows in both cities, of prints from El Paso and Austin. One might include San Antonio or Albuquerque, and do 4 pop-up print exhibitions,of local print exchanges, in those 4 cities. This way the organization load would be distributed amongst 2 to 4 parties, making it a lot easier to organize, at least in theory.