HABITUS: CONTEMPLATIVE MANIFESTO
(selected prints)
(selected prints)
HABITUS: CONTEMPLATIVE MANIFESTO
Location: University of Dallas, Haggerty Lane, Irving, TX 75062. Upper Gallery, Painting/Printmaking Building
Organizers: Andrew Kozlowski, Assistant Professor, University of North Florida
Sheila Goloborotko, Assistant Professor, University of North Florida
This portfolio offers a platform to express, comment, and reflect on the current issues that are rapidly reshaping our world—creating a print that is not reactive—but pensive and meditative. It is overwhelming to observe the torrent of information flowing past and be swept up in the churning tide. Can we create imagery that is not merely pamphletary and reactive but portrays the moment before our responses? We aim to gather a collection of visual contemplative manifestos—work that slows one down, that proposes change and creates pause with voices of cathartic expression and poetic activism—protest and beauty.
Location: University of Dallas, Haggerty Lane, Irving, TX 75062. Upper Gallery, Painting/Printmaking Building
Organizers: Andrew Kozlowski, Assistant Professor, University of North Florida
Sheila Goloborotko, Assistant Professor, University of North Florida
This portfolio offers a platform to express, comment, and reflect on the current issues that are rapidly reshaping our world—creating a print that is not reactive—but pensive and meditative. It is overwhelming to observe the torrent of information flowing past and be swept up in the churning tide. Can we create imagery that is not merely pamphletary and reactive but portrays the moment before our responses? We aim to gather a collection of visual contemplative manifestos—work that slows one down, that proposes change and creates pause with voices of cathartic expression and poetic activism—protest and beauty.
Contributing Artists:
Aaron Eliah Terry, Assistant Professor, University of Delaware
Andrew Kozlowski, Assistant Professor, University of North Florida
Anne Beidler, Professor, Agness Scott College
Better Press (Francesca Colonia and Giulia Nicolai), independent artists
Brooke Inman, Instructor, Virginia Commonwealth University
Eszter Sziksz, independent artist
Fleming Jefferies, Interim Director, VCU Qatar Department of Painting and Printmaking
Florence Gidez, independent artist and educator
Heather Parish, Assistant Professor, University of Iowa
Jill Parisi, Area Head and Associate Professor, SUNY New Paltz
Judith Baumann, Master Printer, Crow’s Shadow Institute of Art
Justin Barfield, Assistant Professor, University of Notre Dame
Kate Collyer, artist and educator
Kirsten Flaherty, Administrative Assistant, IFPDA
Lisa Turner, Assistant Professor, Western Washington University
Lise Drost, Professor, University of Miami
Louise Fisher, MFA Candidate, Arizona State University
Luke Johnson, MFA Candidate, University of Alberta
Mizin Shin, artist and educator
Nathan Meltz, Lecturer, Rensselaer Polytechnic Institute
Nick Satinover, Assistant Professor, Middle Tennessee State University
Nicole Andreoni, artist and educator, University of North Florida
Richard Hricko, Professor, Tyler School of Art, Temple University
Ruthann Godollei, DeWitt Wallace Professor of Art, Macalester College
Sarah Marshall, Associate Professor, University of Alabama
Savannah Bustillo, independent artist
Shawn Bitters, Associate Professor, University of Kansas
Sheila Goloborotko, Assistant Professor, University of North Florida
Summer Ventis, Assistant Professor, California State University Sacramento
Taro Takizawa, Instructor, Syracuse University
Aaron Eliah Terry, Assistant Professor, University of Delaware
Andrew Kozlowski, Assistant Professor, University of North Florida
Anne Beidler, Professor, Agness Scott College
Better Press (Francesca Colonia and Giulia Nicolai), independent artists
Brooke Inman, Instructor, Virginia Commonwealth University
Eszter Sziksz, independent artist
Fleming Jefferies, Interim Director, VCU Qatar Department of Painting and Printmaking
Florence Gidez, independent artist and educator
Heather Parish, Assistant Professor, University of Iowa
Jill Parisi, Area Head and Associate Professor, SUNY New Paltz
Judith Baumann, Master Printer, Crow’s Shadow Institute of Art
Justin Barfield, Assistant Professor, University of Notre Dame
Kate Collyer, artist and educator
Kirsten Flaherty, Administrative Assistant, IFPDA
Lisa Turner, Assistant Professor, Western Washington University
Lise Drost, Professor, University of Miami
Louise Fisher, MFA Candidate, Arizona State University
Luke Johnson, MFA Candidate, University of Alberta
Mizin Shin, artist and educator
Nathan Meltz, Lecturer, Rensselaer Polytechnic Institute
Nick Satinover, Assistant Professor, Middle Tennessee State University
Nicole Andreoni, artist and educator, University of North Florida
Richard Hricko, Professor, Tyler School of Art, Temple University
Ruthann Godollei, DeWitt Wallace Professor of Art, Macalester College
Sarah Marshall, Associate Professor, University of Alabama
Savannah Bustillo, independent artist
Shawn Bitters, Associate Professor, University of Kansas
Sheila Goloborotko, Assistant Professor, University of North Florida
Summer Ventis, Assistant Professor, California State University Sacramento
Taro Takizawa, Instructor, Syracuse University
"Fall"
lithograph
"Freedom From Borders"
screenprint
LASER PRINTMAKER:
MAPPING OVERLAPS BETWEEN PRINTMAKING AND LASER SYSTEMS
(selected prints)
THE LASER PRINTMAKER: MAPPING OVERLAPS BETWEEN PRINTMAKING AND LASER SYSTEMS
Location: University of Dallas, Haggerty Lane, Irving, TX 75062. Upper Gallery, Painting/Printmaking Building
Organizer: Dana Potter, MFA candidate, University of Tennessee Knoxville
Postdigital, emerging technologies, and new media, to name a few, are vague terms used as catch-all funnels for print processes which incorporate laser-cutting, 3D printing, CNC routing, etc. The funnel metaphor, however, stanches fluidity between printmaking techniques and incorporated technologies. A re-imagined structure of these methods may be presented as tree roots with equal stems for laser systems as printmaking’s relationship with paper-making or book-arts. Laser technologies specifically build on similar conceptual questions brought up by printmaking: quality of technique, loss of aura in mechanical reproduction, the look and feel of the hand-made, and issues of physical and time-based labor.
Location: University of Dallas, Haggerty Lane, Irving, TX 75062. Upper Gallery, Painting/Printmaking Building
Organizer: Dana Potter, MFA candidate, University of Tennessee Knoxville
Postdigital, emerging technologies, and new media, to name a few, are vague terms used as catch-all funnels for print processes which incorporate laser-cutting, 3D printing, CNC routing, etc. The funnel metaphor, however, stanches fluidity between printmaking techniques and incorporated technologies. A re-imagined structure of these methods may be presented as tree roots with equal stems for laser systems as printmaking’s relationship with paper-making or book-arts. Laser technologies specifically build on similar conceptual questions brought up by printmaking: quality of technique, loss of aura in mechanical reproduction, the look and feel of the hand-made, and issues of physical and time-based labor.
Contributing Artists:
Miguel Aragon, artist
Denise Bookwalter, Director Small Craft Advisory Press, Professor, Florida State University
Noah Breuer, Assistant Professor, Auburn University
Tim Dooley, Professor of Printmaking, University of Northern Iowa
Myles Dunigan, artist
Monica Farrar, artist
Andrea Ferrigno, Assistant Professor of Art, Knox College
Andy Holliday, Visiting Assistant Professor, Auburn University
Joseph Lupo, Professor of Art, West Virginia University
Conor McGran, MFA candidate, University of Tennessee Knoxville
Adrienne Miller, Exhibition and Project Coordinator, Speed Museum
Sarah Pike, Director of FreeFall Laser
Dana Potter, MFA candidate, University of Tennessee Knoxville
Roberta Restaino, Adjunct Instructor Printmaking and Foundations, University of Colorado Boulder
Hannah Smith, artist
Meagan Sterling, Professor, Westmont College
Brad Vetter, Brad Vetter Design
Aaron Wilson, Professor of Printmaking, University of Northern Iowa
Jonathan Wright, MFA candidate, Arizona State University
Sangmi Yoo, Associate Professor, Texas Tech University
Miguel Aragon, artist
Denise Bookwalter, Director Small Craft Advisory Press, Professor, Florida State University
Noah Breuer, Assistant Professor, Auburn University
Tim Dooley, Professor of Printmaking, University of Northern Iowa
Myles Dunigan, artist
Monica Farrar, artist
Andrea Ferrigno, Assistant Professor of Art, Knox College
Andy Holliday, Visiting Assistant Professor, Auburn University
Joseph Lupo, Professor of Art, West Virginia University
Conor McGran, MFA candidate, University of Tennessee Knoxville
Adrienne Miller, Exhibition and Project Coordinator, Speed Museum
Sarah Pike, Director of FreeFall Laser
Dana Potter, MFA candidate, University of Tennessee Knoxville
Roberta Restaino, Adjunct Instructor Printmaking and Foundations, University of Colorado Boulder
Hannah Smith, artist
Meagan Sterling, Professor, Westmont College
Brad Vetter, Brad Vetter Design
Aaron Wilson, Professor of Printmaking, University of Northern Iowa
Jonathan Wright, MFA candidate, Arizona State University
Sangmi Yoo, Associate Professor, Texas Tech University
"Triado en la basura"
burnt residue embossing 2018
Pretty Good Printmaking
"Heads or Tails"
laser engraved woodblock 2019
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