tinyurl.com/ambossgci
SUMMARY NORTH TEXAS SGCI
March 6 - 9, 2019
Open Portfolio Madness
Summary of the posts about what happened during the North Texas SGCI print conference in the Dallas area:
- Coming to Dallas
- 1st Day Wednesday, March 6th
- 2nd Day Thursday, March7th
- 3rd Day Friday, March 8th
- 4th Day Saturday, March 9th
Omar Gonzalez with the crew from Booker T Washington arts high school,
making prints in front of the Dallas Museum of Art
On the Vendor Floor in front of the Speedball display --
the Amazing John Hancock (left)
and equally amazing Carlos Hernandez (right)
AMBOS LADOS EXHIBITION
Our Ambos Lados International Print Exchange reception was during the afternoon of the 2nd day, on the second floor of the Fine Arts Building at the University of Texas at Arlington, from 1 - 4:30
Still shots of the Ambos Lados exhibition:
THIRD DAY
March 8, 2019
March 8, 2019
Horned Toad Prints with virtuoso printmaker Tom Huck
The Horned Toad Print crew of El Paso
contributed to the animation project of Susan Rostow,
the creator of Akua Inks
OPEN PORTFOLIO
PRINT PORTFOLIO EXHIBITIONS
In addition to Open Portfolio, there were a lot of great prints in the SGCI exhibitions around the Dallas/Fort Worth area, from artists across the country. The prints produced in Texas, Mexico and the Southwest however, were mostly distinct from those produced in the rest of the country.
University of Dallas
- Habitus: Contemplative Manifesto and Laser Printmaker (selected prints)
University of Texas at Arlington
- Visual Elegy (selected prints)
Texas Christian Univerisity (TCU)
University of North Texas
Print Rodeo
***
Salud!
Thank you Dallas!
Thank you Dallas!
Of course, SGCI was better than SXSW down in Austin (though Flatstock is pretty good).
We also went to SGCI in Portland in 2016.
We also went to SGCI in Portland in 2016.
Thank you for this posting! I feel like I was there and it looks like it was a lot of fun! Congratulations to the Print Exchange for a beautiful exhibit that I was very proud to be part of, and for making it possible for many printmakers to reach across borders.
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